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Dias de guardar

  • zuccaccia
  • 7 giorni fa
  • Tempo di lettura: 1 min

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Title: Dias de guardar

Photographer(s): Hector Garcia

Writer(s): Carlos Monsivais

Designer(s):

Publisher(s): Ediciones Era, Mexico D.F., Mexico

Year: 1996

Print run:

Language(s):Spanish

Pages: 384

Size: 13,5 x 19,5 cm

Binding: Softcover

Edition: 1st 1970

Print:Mexico

Nation(s) and year(s) of Protest: Mexico, 1968 -1970

ISBN:



Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996

Dias de guardar is a photo book by photographer Hector Garcia on Mexican story published by Ediciones Era, Mexico D.F., Mexico,1996


Monsiváis argues that nothing can mitigate what happened in the Plaza de las Tres Cultura that October 2; neither the resignation of a police chief, nor the release of Demetrio Vallejo and Valentín Campa, nor the repeal of the crime of social dissolution.

In his plaza, the narrator notes, ‘the Chihuahua Building remains, with the stories of astonishment and humiliation, with the newly installed glass, with the residue of blood still visible, with the livid flesh of those who inhabit it... it stands as “a symbol that reminds us and points us to those who, in order to remain [in power], suspended and decapitated Mexican innocence”.



 
 
 

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